The source and the form
3rd summer intensive programme of SPT Lavauzelle
July 22nd – August 2nd 2013
Intensive physical/vocal theatre workshop
What is my real personal source for acting (point, energy, tone, quality…)?
What is similar between accomplishing a given existing score, and giving birth to a form?
What are the criterions for me to understand whether a path is promising or not?
This work is open to actors, dancers and singers, professional or not, who are willing to immerse themselves in an intensive process of practice. It will last 12 days and will be organised in 4 main sections:
– Introduction to Kalaripayatt– physical preparation and practice of the Indian martial art system, led by Sankar Lal Sivasankaran Nair (Studio Kalari, Wroclaw/Trivandrum).
– Way to the Personal Sound – session based on ukrainian traditional singing led by Ulyana Horbachevska, singer and actress (Ultramarine/Maisternia Pisni, Lviv, Ukraine)
– Searching for an expressive body – movement as a reaction: body investigation and physical theatre workshop, led by the actress and choreographer Cécile Da Costa (Spitfire/Farm in the cave,Prague,Czech Republic)
– Towards a theatre of sound – exploration on singing and text practice, and investigation of stage presence, led by members of Théâtre de l’homme ivre (Paris) and collaborators of the Grotowski Institute (Poland): Jean-François Favreau (actor-singer, director) and Marie-Geneviève L’Her (physical theatre actress/pedagogue) – with the assistance of Marc Naya Diaz (Barcelona).
After our 2012 programme, dealing with “raw materials”, we want to make another step in our research, which stands on a territory between traditional forms and contemporary creation. This worksession will be, as usual, impulsed and guided by several young professionals who have a first-hand relation to a specific practice. In the continuity of last year’s work, it will consist in a comprehensive physical and vocal training, as well as the learning of forms (songs and physical scores). This time, we will introduce a work on the personal source of the actor, and a research on a creative language based on these fundaments.
The work will take place in an old barn, typical of the craft of the “masons from Creuse”, as well as outside, in woods and meadows.
It will be held in French and English, according to the possibilities of the group.
> more than 8 hours of daily work;
> in the evenings : meetings, video projections, talks…;
> open work presentation, at the end of the process, by participants and pedagogues;
> resting and relaxing in the nature, the surrounding countryside and forest.
> Dates: July 22nd , August 2nd (arrival and departure should be planned on the 21st and 3rd)
> Hours: 9-13, 15-19, and evening meetings
> Fee for the worksession (12 days/90 hours of work):
– full 530 €
– reduced (unemployed and under 26): 440 €
> Full board accommodation (simple fresh meals prepared on the spot, and accommodation organised in guest houses in the vicinity):
– 12 days (13 nights x 20 €) : 260 €
> Early registration fee (application sent before June 10th)
– full fee: 440 €
– reduced: 350 €
> Travel to the Site is not included in the price. A shuttle is proposed from La Souterraine (train line Paris-Limoges-Toulouse).
> Number of participants : 12 people maximum > Application
Please send a letter explaining :
– your interest
– your performance experience,
– mentioning your perspectives in the year 2013-2014
To get the reduced fee, applications should be sent by the 10.06.13
Selected persons will be asked to pay half of the fee.
> Answer will be sent until 02.07.13 the latest
> Contact : email@example.com (Marie-Geneviève L’Her / 0033 (0)6 03931399)
Sankar Lal Sivasankaran Nair
Sankar comes from Thiruvananthapuram (Kerala,India). He has been studying the Southern style of kalarippayattu since 1994 mainly with Tirupuram C. Madhavan, Jayachandran Nair, as well as Thankapan Assan and Ajith Kumar, and – presently – Raja Gopalan Assan. He is as well qualified with an ayurvedic masseur’s diploma. In the years 2005-2008, he worked with Indian theatre group Milón Méla, co-leading numerous workshops and performing in festivals inIndiaandEurope. Since 2008 he has lived inWroclaw,Poland. He teaches the Southern style of kalarippayattu inWroclaw,Poland, and abroad). He is a co-founder of Studio Kalari and openend his own Kalari inTrivandrum(Kerala) in 2013. [www.studiokalari.art.pl]
Ulyana has graduated from Lviv Academy of Art. She draws inspiration from Ukrainian traditional arts, from icon painting and folk painting to ancint singing forms. As an artist, she expresses herself through singing and theatre, as well as painting, costumes and scenography creation. From 1998 to 2003, she worked as a restorer of icons and monumental paintings inUkraineandPoland. From 2002 to 2011, she was a singer, actress and painter in the ensemble « Maisternia Pisni » (www.maisternia.com.ua), which has been a long-term partner of the Grotowski Institute inWroclaw,Poland. With Maisternia Pisni, she recorded 3 CD: “On Sunday morning”, “After Christmas” and “Lightappearance”. Since 2011, she carries on her artistic path and research on her own (she recorded one CD : « Dole ») and collaborates with various structures, international musicians and visual artists (artistic association Triptych [www.artryptykh.com], « Ultramarine » project with Klaus Kugel, Mark Tokar and Petras Vysniauskas).
Cécile Da Costa
Since 2005, Cécile has been working as a physical actress and singer. For 5 years, she was a member of Farm in the Cave international theatre studio (Prague, Czech Republic), taking part to the performances SCLAVI/ the Song of an Emigrant, Waiting Room, Divadlo/The Theatre and work demonstrations, under the direction of Viliam Docolomansky, and with the choreographic guidance of Charlotta Öfverholm (DV8). Within Farm in the cave projects, she took part to several research expeditions in Ruthenia (Slovakia), and Brazil Nordeste (work on martial art Capoeira, and dances Bumba meu Boi and Cavalo Marinho). The company performed widely in Europe and outside, and was awarded several times, namely inEdinburgh festival. Cécile is now cooperating with Spitfire Company,Prague, as a choreographer and an actress, as well as leading workshops. [http://infarma.info; http://bezhlavi.cz/spitfire-company]
During his Literature studies, Jean has worked first in an autodidactic group, Compagnie La Machine (Paris). He joined then several musical-theatre projects, as an actor-singer, with Theater TANTO (Vienna, Austria) for Researches of a dog after Kafka, and then Teatr ZAR (Wroclaw, Poland), with whom he performs, since 2008, the triptych Gospels of childhood in a wide international scale. He is as well a long-term collaborator of Sergei Kovalevich in the project Song of songs (Lviv, Ukraine). He is currently working, in France, with Alexis Forestier on The Mystery-of-mysteries (after Cummings). In the frame of the Grotowski Institute’s activities, he took an active part in numerous research expeditions about oral traditional singing, namely concerning Mediterranean area (Sardinia, Corsica, Sicily…). Since 2010, he is leading the international ensemble In medias res. With Théâtre de l’homme ivre, prolonging La Machine, he staged texts of Witold Gombrowicz, Georg Büchner and Robert Walser. He is the artistic director of the Site for Theatre Practices Lavauzelle.
She first trained as a puppeteer and performed as such with La Machine (Paris, France) during 5 years. In 2004-2005, she discovered physical theatre by collaborating as an actress with Teatr Jednego Wiersza (Opole, Poland; on Zyszczy Nam and Uzytkownia). Then she studied corporeal mime – Etienne Decroux school – in Paris (school Hippocampe, and theatre company Pas de Dieux) and was an assistant of the corporeal mime teacher and performer Thomas Leabhart (Pomona College, California). Since 2009, within the the Théâtre de l’homme ivre, the theatre company she co-founded, she investigates movement, building her own practice and leading workshops. In 2011, she was an artist in residence in Theatre H. Tomaszewski and the Grotowski Institute, in Wroclaw, Poland. There, she created the physical score of the performance Marie, which she has been performing since then. She is also singing with In medias res ensemble and directing the educational line of the Site for Theatre Practices Lavauzelle. [www.lavauzelle.org/thi]
– Site de pratiques théâtrales Lavauzelle,
– Studio Kalari,
– Institut del Teatre (Barcelona, Spain),
– Théâtre de l’homme ivre,
– municipality council of Janaillat, CIATE, and Creuse district.
pictures : M. Zakrzewski, Maisternia Pisni, Théâtre de l’homme ivre, SPT Lavauzelle